clicker
An employee who locks the type in the form to make it ready for printing.
Clicker: the hand operator who locks type into the chase
A clicker is a printing trade worker who prepares locked-up type for the press by inserting it into a chase (the steel frame that holds type during printing) and securing it with furniture, quoins, and other spacing material. The job demands precise spatial reasoning and physical control: a clicker must verify that all sorts are properly distributed, that line lengths match exactly, and that the final locked form will not shift or spring during the impression.
The term originated from the sound of the quoins, metal expanding wedges that tighten the type within the chase. As a clicker worked the quoin key, the metal would click or spring as it gripped the type. By the mid-nineteenth century, the word had settled into the trade as a noun for the operator, not the sound.
Clickers worked from impositions (layouts prepared by compositors) and had to understand leading, slug widths, furniture sizes (typically measured in picas and points), and how materials like brass rules and reglets would space elements both horizontally and vertically. The precision required was high: a locked form with loose or uneven spacing would produce ink inconsistencies or type damage during the press run. A clicker might work with wood type for poster work, metal sorts for book and newspaper work, or mixed materials for jobbing (small-format commercial printing).
Errors at the locking stage could not be corrected on press: a clicker's misjudgment meant a halt to production and the expense of unmaking and redoing the form. Experienced clickers were valued because they worked fast without sacrifice to accuracy. They were distinct from compositors (who set the type) and pressmen (who printed from the locked form), occupying a critical intermediate stage in hand letterpress production.
The role has largely vanished with the adoption of offset lithography and digital printing. In contemporary fine letterpress and historical printing studios, the term survives in the minds of practitioners who understand the old divisions of labor, though the functions are now often handled by the same person who composes and prints.