lay
To place and arrange (pages) for a form upon the imposing stone.
lay: positioning pages before printing
In letterpress printing, to lay means to position and arrange individual pages of type on the imposing stone in the correct sequence and orientation so they will print correctly when the form is locked up and run through the press. The compositor places each page of type, complete with its surrounding furniture and spacing material, onto the stone in reverse order and mirrored, since the impression will flip the image. This stage happens after each page has been composed and proofed separately.
The layout of pages follows strict rules determined by the final product. A single sheet printed on both sides and folded into a signature requires pages arranged in a specific nested pattern. A four-page signature uses what is called a work-and-turn layout, where pages 1, 2, 3, and 4 appear in positions that look chaotic until the sheet is printed, folded, and trimmed. Larger forms with eight, sixteen, or thirty-two pages demand increasingly complex arrangements.
Precision and the Imposing Stone
The imposing stone is a heavy cast iron or marble surface that serves as the work table. It has a beveled edge to prevent type from catching, and many stones include gauge marks or a grid to help the compositor align pages consistently. Quoins, metal wedges that lock the form tight, are placed around the perimeter. Poor laying results in pages that shift during printing, causing register marks to misalign between colors or front and back of the sheet, or in folded signatures causing pages to appear out of sequence.
Laying is distinct from composing the individual pages and separate from locking up the form, though the three operations flow continuously. A compositor may compose the night before; a different worker may lay the pages the following morning; a press operator then locks and runs them. In smaller shops, one person often performs all three roles, but in large jobbing houses the work was split among specialists.
The term reflects the physical action: the compositor literally lays each page down onto the stone, building up the complete form piece by piece. The skill lies in understanding how pages must be positioned so that after printing, folding, and trimming, they land in the correct reading order with no blank leaves or missing content.